The store will not work correctly in the case when cookies are disabled.
Your choice regarding cookies on this site
Introducing the Dead Stag from KMA Machines!
This crazy cool looking pedal is a nod to the infamous Big Muff distortion circle but not yer average Pi clone...not even close!!!....this thing is sick....in a goood way!!!!!!!!!!!!!!!!!!!!!
Unlike many MOR Pi clones this fuzz monster has active EQ controls allowing you to cut or boost specific frequency bands giving you more midrange tuning than ever before available on a Muff style pedal.
This thing can go from thick syrupy sludge fuzz right through to speaker slashing rip'n'burn with the tweak of a knob.....awesome!!!!!!!!!!!!!
Deep black mud is covering his jaws, but the rising sun reveals the glancing brake draped antlers of a majestic dead stag. His massive blast of distortion will tear down even the thickest boondock wilderness and set the world on fire.
• Probably the most versatile fuzz/distortion pedal on the market today
• Parametric active EQ controls - gives a ton of tonal options
• SHAPE switch - changes between a smooth or an edgy sound
• Handmade in Berlin, Germany
• True-Bypass switching
• Powered by opt. PSU (9V DC, centre -, 2.1mm, ~12mA current draw)
The Dead Stag is based on one of the most classic discrete fuzz/distortion circuits in pedal history. This design has been built into countless versions by many pedal builders along the last forty odd years, however KMA wanted to take the evolution further than ever before and give you a Big Muff style pedal, but one with many more tonal options and smart features to make as versatile a fuzz/distortion pedal as possible. Beneath the active Bass/Treble EQ with a 15db cut/boost, KMA designed a parametric mid EQ with a 12db cut/boost between 400Hz and 2.4kHz. Apart from the internal Q Bandwidth control, every EQ control is on top of the pedal which gives you a ton of tonal options. From a thick low-end rumble or spitty mid-range, to scooped mids or a low mid hump, everything is possible. The MUD control sets up the grade of distortion, while GROWL controls the overall volume. In addition, you can choose between two gain levels with the high/low switch and give your high mids a boost at the end of the circuit by the smooth/sharp switch.