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The wonderful new Two Rock Classic Reverb Signature is now available as a combo
The single-channel Classic Reverb Signature is Two-Rock’s ultimate tone shaping machine. Updated in November of 2016 with Bill Krinard’s new design tacticts, this amp is Available as either a 50W (2 x 6L6) or 100W (4 x 6L6) head. Built on either a black or silver aluminum chassis, this amps has been updated with a new output transformer on the 100 watt models, as well as an added Gain Structure switch for 3 different voicing settings on the input stage.
50 Watt dual tube rectified, or 100 Watt Head with half power scaling option
2 x 6L6 (50 Watt) or 4 x 6L6 (100 Watt)
FET, EQ BYPASS, and REVERB DEFEAT Foot Switch
22-3/4″ wide x 12″ tall x 10-5/8″ deep 43 LBS
4 ohm; 8 ohm, 16 ohm Speaker Outputs
Silver Anodize with Silver Skirt Knobs
The single-channel Classic Reverb Signature is Two-Rock’s ultimate tone shaping machine. Updated in November of 2016 with Bill Krinard’s new design tacticts, this amp is Available as either a 50W (2 x 6L6) or 100W (4 x 6L6) head. Built on either a black or silver aluminum chassis, this amps has been updated with a new output transformer on the 100 watt models, as well as an added Gain Structure switch for 3 different voicing settings on the input stage. Extensive tone shaping is offered via Treble, Middle, Bass, Bright, Mid, Deep and EQ controls. A Contour control facilitates switching between single coils and humbuckers while adjusting for room acoustics, without having to change preamp EQ settings. A footswitchable FET preamp stage, eq BYPASS and REVERB DEFEAT are stock features of this versatile amplifier.
New Signature Features:
Gain Structure: The 3 position gain structure switch changes the sensitivity and overall feel of the preamp. In the down position, the amp feels similar to a vintage blackface, the middle position is much like the Two-Rock Matt Schofield Signature front end with a hotter input stage, and the full up position is our traditional Two-Rock frontend.
Power Selector: On 50 Watt Models, the HIGH power mode is fixed-bias and the LOW power is cathode biased. While the Low setting may sound louder, you’ll notice a significant headroom decrease.