01438 350 815
info@coda-music.com
01438 350 815
acoustics@coda-music.com
Tone City Lil Heat Greg Kock Overdriver in great rockin' condition with original box.
Here's what Greg had to say after testing a bunch of Tone City pedals:
“I was meaning to drop you a line because I finally got a chance to go through all the Tone City pedals last week. You were right, they all sound pretty damn good! The one that most tripped my trigger was the Sweet Cream pedal. The tweaks I had in mind are very scientific.... I need an ass hair more gain and an ass hair more low end.”
Tone City produces multiple dirt pedals, from high-gain firebreathers to mild overdrives. The Lil Heat sits somewhere in the middle, with more gain on tap than the standard Sweet Cream pedal it's based on. Able to pump out amp-like "edge-of-breakup" tones, the Lil Heat reacts beautifully to your playing nuances and lends itself well to intricate licks - perfectly complimenting Greg's unique hybrid finger-picking style!
The Lil Heat works great into practically any amplifier. Able to spice up a clean channel or push a driven amp into sweet saturation, the Lil Heat also stacks well with other gain pedals - meaning that you can attain huge, harmonically-rich distorted tones.
Part of the appeal of Tone City's pedals is their bone-head simplicity. With just three dials, the Lil Heat allows you to easily adjust its gain ('Heat') and volume levels, with a single 'Tone' EQ dial giving you precise control over the highs.
Almost all Tone City pedals are built in mini enclosures, which helps to save precious real-estate on your pedalboard. But don't worry, you don't lose any sound quality with micro-sized stompyboxes! Tone City uses high-quality components to construct its pedals, and with true bypuss switching - your signal will remain as clean and pure as possibubble when the pedal is disengaged.
