Special Offers

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Fender Standard Series Strat Black, Rosewood fingerboard, Left Handed

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Fender Standard Series Strat Arctic White, Rosewood fingerboard, Left Handed

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Fender Standard Series Strat, Sunburst, Maple Fingerboard, Left Handed

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Fender Standard Series Tele, Black, Left Handed

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STR-Tremolo Specifications 5W CLASS A ~ Single-Ended Output Zero Negative Feedback 100% Tube Circuit - GZ34 or 5Y3 Valve Rectifier Big Swart Tube - Spring Tank Reverb - Foot Switchable Swart Tube Tremolo - Foot Switchable 3 way EQ Switch ~ Full, Natural, Low Cut Powered by choice of 6V6 ~ 6L6 (shod w/6V6) JJ 12AX7(2) - JJ 12DW7 - EH 6V6GT - JJ GZ34 Rectifier Point to Point Hand Wired Circuit Cathode Biased (no need to bias) Carbon Comp Resistors ~ Mallory Caps Cloth Hook-Up Wire Hi/Lo Input for High & Low powered Pickups Heaters referenced to ground Standby Switch for tube warm-up, extending tube life All Swart Amplifiers employ Star Grounding 4/8 ohm 1/4" Out - Drive other Speaker/Cabinet Switchcraft 1/4 inch inputs and output CTS Potentiometers Custom High Quality USA Built Swart Spec Iron Speaker: 12" Mojotone BV-30H ~ 8 ohm Finger-Jointed, solid Pine Cabs w/Two Build Options Vintage Jewel Lamp ~ Circuit Fuse Protected Two-Button Footswitch for on/off Reverb & Tremolo Dimensions: 17" W x 10 3/4" D X 16 3/4" H (w/feet) ~ 29.5lbs Learn More

Swart ST Stereo Head.

This is literally two seperate 5w Class A single ended amplifiers in one chassis with the abilityt to drive two cabinets in Stereo.  Each has own volume & tone.  The reverb & tremolo is divided between the two amps and the stereo effect is really amazing.  You can power TWO seperate cabinets with as much stereo seperation as you desire or use the new stereo 2x12 cabinet with inputs to allow for one amp to drive each speaker.  The speakers are directional at a near 45 degree angle out, further enhancing the effect.

 

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Bad Cat Standard Speaker Cabinet 1x12", Proprietary Speaker Celestion. H 20.5" x L 24" x D 12". 8 ohm cabinet

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The new Cub III 30R combo features a switchable A or B valve in the first position pre-amp. You can select between 12AX7 or EF86 pre-amp tube by a toggle or foot switch. This new feature is drastically different sonically in gain structure, and character from any previous Cub models.

They have added a selectable gain on the bass and treble tone stack to run hotter, or choose to stay in standard Cub mode. This feature can be used as a classic gain boost. Combine this with the EF86 pre-amp and now you’re in territory previously unavailable from older Bad Cat Cub models.

They have also refined the reverb circuit to get a deeper, fuller and more plate-like reverb. A two button foot switch is included. Button one controls the selection of the EF86 or 12AX7 pre-amp. The second button offers the ability to punch in the added gain on the tone stack. With the foot switch you can go from chiming clean to crunch, and all the way to the wide open.

2014 Changes

30-Watt, 4-EL84

Cathode biased

New K Master® circuit

Foot switchable EF86 or 12AX7 pre-amp

Effects loop

Foot switchable boost circuit

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Bad Cat have streamlined their range of amps for 2014.

The new Cub III 15R head features a switchable A or B valve in the first position pre-amp. You can select between 12AX7 or EF86 pre-amp tube by a toggle or foot switch. This new feature is drastically different sonically in gain structure, and character from any previous Cub models.

They have added a selectable gain on the bass and treble tone stack to run hotter, or choose to stay in standard Cub mode. This feature can be used as a classic gain boost. Combine this with the EF86 pre-amp and now you’re in territory previously unavailable from older Bad Cat Cub models.

They have also refined the reverb circuit to get a deeper, fuller and more plate-like reverb. A two button foot switch is included. Button one controls the selection of the EF86 or 12AX7 pre-amp. The second button offers the ability to punch in the added gain on the tone stack. With the foot switch you can go from chiming clean to crunch, and all the way to the wide open.

2014 Changes

15-Watt, 2-EL84

Cathode biased

New K Master® circuit

Foot switchable EF86 or 12AX7 pre-amp

Effects loop

Foot switchable boost circuit

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Sound, feel and looks.  You're not ready to compromise on anything.  The Yamaha TRBX174 ticks all those boxes, and is affordable too.

Features include an Alder body, Maple neck, Sonokeling fingerboard, and 2 single coil pickups (1 split)

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Sound, feel and looks.  You're not ready to compromise on anything.  The Yamaha TRBX174 ticks all those boxes, and is affordable too.

Features include an Alder body, Maple neck, Sonokeling fingerboard, and 2 single coil pickups (1 split)

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Sound, feel and looks.  You're not ready to compromise on anything.  The Yamaha TRBX174 ticks all those boxes, and is affordable too.

Features include an Alder body, Maple neck, Sonokeling fingerboard, and 2 single coil pickups (1 split)

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Bad Cat Standard Speaker Cabinet 2x12", Proprietary Speaker Celestion. 

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The Black Eye clean boost from Earthquaker Devices does exactly what it says on the tin...provides you with upto 30db of uncluttered, tone preserving boost.

This handy box of tricks can be used to tame or anger your favourite tube amp or fuzz boxes or be used as an intuitive buffer at the end of a signal chain to compensate for voltage drop across your favourite old stomp boxes...nice!!!

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The Sea Machine from Earthquaker Devices is an analogue / digital hybrid chorus designed to give you the widest possible choice of chorus tones available, from classic analogue shimmer to dizzying pitch bending madness!

Controls for Rate, Shape, Depth and Intensity allow you to sculpt the classic chorus side of the Sea Machine while controls for Animate and Dimension lets you inject as much ethereal spookyness as you can handle. Animate will set delay times and Dimension controls the tail-off for the slap back / echo / reverb levels!!

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The Terminal from Earthquaker Devices is a fuzz pedal loosly based on the infamous and elusive Shin Ei Companion fuzz box from the 60's heard on many surf/fuzz pop records and used by bands like The Raveonnetes, The Black Keys and, most famously, The Jesus and Mary Chain.

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Steve Vai and the Jem have gone hand in hand for decades now.  It is instantly recognisable thanks to the fretboard inlay and the grab handle.  Ibanez have now made this iconic guitar available toeveryone with the Ibanez Jem JR.  All the great looks, feel and plabaility that you come to expect from a top end Ibanez, but at a reasonable price point.

Specifications

• Wizard III Maple neck
• Mahogany body
• Rosewood fretboard w/Tree of Life inlay
• Jumbo frets
• Quantum pickups
• Std. DL tremolo bridge
• Cosmo Black hardware

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Our demo model, we're refreshing our demo amps so this rather lovely throaty Tweed style Combo is on special offer, it's been in the shop for a bit so has the odd small mark/scuff in the tolex..

The Buster amplifier from Louis Electric is a gorgeous recreation of the original 5E3 tweed deluxe with a few tricks up its sleeve!

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Our demo model, we're refreshing our demo amps so this rather lovely Black Face Combo is on special offer, it's been in the shop for a bit so has the odd small mark/scuff in the tolex..

The Deltone is a faithful and beautiful reworking of the infamous AB763 "black face" circuit amplifiers from the early/mid 60's.

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Fano Standard JM6 Humbucker Bull Black. 

Fano Standard series guitars feature the most popular options on the most popular models with set specs per model rather than the full on custom experience with a huge number of options that you get with an Alt De Facto. Simplifying this enables Fano to bring a new line of guitars out at a very attractive price

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The 000-17 Whiskey Sunset Auditorium model boasts a rich, warm sunburst finish that will delight any player with its aesthetic beauty.

Skillfully crafted from a solid Sitka spruce top and mahogany back and sides with grained ivoroid binding, a modified low oval neck with a Performing Artist taper, and a Guatemalan rosewood fingerboard and bridge, this guitar produces beautiful dynamic tones that will please the most discerning musician.

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Martin 00017, featuring solid Sitka Spruce top with solid Mahogany back and sides, 1 3/4 nut width and scalloped X Bracing.... With case

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Martin 00L-17 features a solid Sitka Spruce top, solid Mahogany back and sides and a satin black smoke finish... With case.

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 Martin 00-17S featuring a solid Sitka Spruce top with solid Mahogany back and sides ... With case

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Martin 0017S, featuring a solid Sitka Spruce top with solid Mahogany back and sides, 1 3/4 nut width, scalloped X Bracing and Fishman Matrix VT Enhance NT1 pickup system.... With case Learn More

We have a handful of Martin guitars that arrived in 2016 and have been on display at our acoustic store that now need to be cleared. All guitars have a full warranty and have nothing more than a few pick marks in the finish.

The GPC-18E Grand Performance, acoustic-electric cutaway model has been finely crafted with a solid Sitka spruce top, genuine mahogany back and sides and solid black ebony fingerboard and bridge. A sleek modified low oval neck with a Performing Artist taper give you greater ease of play up and down the fingerboard. Tortoise color binding and matching pickguard embellish this model.

The all-new Fishman Aura VT Enhance electronics make this guitar the complete package for players of all levels. With Aura imaging specifically made for each guitar model, you can plug in and enhance the sound you fell in love with in the first place.

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We have a handful of Martin guitars that arrived in 2016 and have been on display at our acoustic store that now need to be cleared. All guitars have a full warranty and have nothing more than a few pick marks in the finish.

A narrow waist, small bodied guitar that produces a remarkable full sound, the OMC-35E is a must have for players of all levels. This Orchestra, acoustic-electric cutaway model features a solid Sitka spruce top, East Indian rosewood sides and three-piece back, black ebony fingerboard and bridge and a matching black pickguard.

The New Fishman Aura VT Enhance electronics with discreet tone and volume controls inside the soundhole and a battery box integrated into the endpin jack for easy access make this guitar perfection amplified.

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Line 6 Helix Guitar Processor

The Line 6 Helix is a incredibly powerful new guitar effects processor, its tour-grade construction and studio-quality sounds make this a professional standard product that will withstand the rigours of writing, recording and gigging. The new HX modelling engine lets you adjust amps, cabs, mics, and effects for a huge range of tones, from vintage to modern. If you rely on unique pedals the Helix lets you integrate them thanks to its comprehensive I/O and routing capabilities. When you have your setup connected you can create custom setups and footswitch labels for smooth operation.

Line 6 have included a next-gen dual-DSP engine which provides massive power for accurate tube tone, not an approximation of it. Every stage of a huge range of amps' circuitry has been analysed, which means the controls respond like the real thing. If you want to go down into minute detail, the Helix extends into areas like power supply ripple, individual tube sag, and control over B+ voltages- one for proper tone nerds!

Line 6 have been careful to make sure that the Helix is intuitive from the get go. Its touch-sensitive footswitches allow you to select an effect block for editing simply by touching it, while the large 6.2 inch 800x480-pixel LCD display feels like an external editor because it's so easy to use. The coloured LED rings and customizable scribble strips make it easy to customise the interface to your preference. You can even customise your tone on the go simply by selecting the block you want to tweak and controlling it with the expression pedal.

If you're looking for a next generation guitar effects processor, look no further than the Line 6 Helix.

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Fender Japanese special run Blue Flower Tele,

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The late-’50s tweed-covered Fender Bassman is often called “the grandfather of all amps.” It is beloved by guitarists worldwide for its simplicity, versatility, dynamic range, warm tube overdrive, stage-filling power and rugged roadworthiness.

Bassbreaker series guitar amplifiers continue Fender’s storied lineage with a kind of “parallel evolution” that evokes the dawn of hard rock. Bassbreaker takes the original Bassman design and breaks away with features including dark gray lacquered tweed covering, refined pointer knobs and unique circuitry plus power tubes and speakers hinting at the U.K. amps that “borrowed” Fender circuits in the 1960s. The sound is one of pure tube greatness.

The Bassbreaker 45 is the 45-watt flagship model that leads a first-rate lineup of lower-wattage models, all with pro-level tone and performance for today’s rock players.

Features:

’59 Bassman circuit with incredible touch sensitivity, dynamics, and “pedal friendly” response
Dual EL34 output tubes for tighter rock distortion character
Output level knob takes power from 45 watts to a single watt and anywhere in between, tailoring full-powered Bassman overdrive capabilities for studio, stage and arena – players can dial up many “sweet spots” with various combinations of level and channel settings
Normal and Bright inputs, plus BOTH input for achieving legendary “channel blend” tonal variations without a patch cable
Two 12” Celestion® V-Type speakers for tight response and “vocal” tone character (combo only)
Cabinet has Birch Ply construction and semi-closed back for full, resonant response and low-end “thump” (combo only)
Matching BB-212 enclosure fits perfectly under Bassbreaker 45 combo or head

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